Drama based on the true story of journalist Stephen Glass, the youngest reporter at the New Republic magazine, whose meteoric rise through the ranks was based on fabricated stories... Based on Pulitzer Prize-winning journalist Buzz Bissingers's September 1998 article in Vanity Fair magazine, this film tells the true story of smart but fraudulent journalist, Stephen Glass (Christensen), who rose to meteoric heights as a young writer with the prestigious magazine 'The New Republic' in Washington.
Directed by
Billy Ray
Written by
Buzz Bissinger (article); Billy Ray (written by).
Starring
Hayden Christensen (Stephen Glass); Peter Sarsgaard (Charles 'Chuck' Lane); Chloƫ Sevigny (Caitlin Avey); Rosario Dawson (Andy Fox); Melanie Lynskey (Amy Brand); Hank Azaria (Michael Kelly); Steve Zahn (Adam Penenberg); Mark Blum (Lewis Estridge); Simone-Elise Girard (Catarina Bannier); Chad Donella (David Bach); Jamie Elman (Aaron Bluth); Luke Kirby (Rob Gruen); Cas Anvar (Kambiz Foroohar); Linda Smith (Gloria (as Linda E. Smith)); Ted Kotcheff (Marty Peretz). Please contact SFC to add other cast members and characters.
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A strange film lacking truth, humility and repentance
Mark Banks (United Kingdom)
Opinion: Not Recommended
Hot on the heels of Spielberg's commendable 'Catch Me If You Can' (2002), comes 'Shattered Glass' - a strange production from director Billy Ray. I say strange, because the story in itself is pretty boring and non-spectacular, yet is presented in the DVD extras of the film as being "one of the greatest journalistic frauds in history", and also in the marketing of the film we are told "In the spring of 1998 what we thought we knew changed forever"; I think not. Even the fact that a film was made about this at all is strange, given the lack of a story truly worth telling. Above all, the film gives a somewhat glamorous and light-hearted view of Glass's 'rise' (to staff writer) and fall. The film trivialises a serious message, and most notably fails to highlight (a) the mental illness that usually accompanies such fraud and delusions (eg. 'A Beautiful Mind'), and (b) the seriousness of the deception; in this case writing for a magazine that influences many minds (in 'Catch Me if You Can' the necessity of bringing Frank Abagnale to justice was never lost). Finally, there was no reassurance offered regarding the honesty of the majority of serious journalists in their field... in this film I felt the industry itself was painted in a somewhat amateur and disrespectful manner. This is not a film I would recommend on any level.