Stevens is the perfect English butler. Now employed by Mr Lewis, the new American owner of Darlington Hall, Stevens has spent the best part of his working life serving Lord Darlington, the host of many prestigious international conferences in the 1930s. It was only when war broke out in 1939, that Lord Darlington's involvement with the Nazi party was uncovered. Now, twenty years later, Stevens realizes that his unquestioning faith and dedication to duty were misplaced, and cost him dearly in his own personal life. Over several years, he carried on an intense relationship with the Estate's attractive young housekeeper, Miss Kenton. But his unwavering sense of duty led Stevens to deny his emotions – and eventually drive away the one woman he loved. Now he wants to make amends...
John Haycraft (Auctioneer); Christopher Reeve (Jack Lewis); Anthony Hopkins (James Stevens); Emma Thompson (Miss Kenton); Caroline Hunt (Landlady); James Fox (Lord Darlington); Peter Vaughan (William Stevens); Paula Jacobs (Mrs. Mortimer, the cook); Ben Chaplin (Charlie, Head Footman); Steve Dibben (George, Second Footman); Abigail Hopkins (Housemaid (as Abigail Harrison)); Patrick Godfrey (Spencer); Peter Cellier (Sir Leonard Bax); Peter Halliday (Canon Tufnell); Hugh Grant (Reginald Cardinal). Please contact SFC to add other cast members and characters.
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Tremendous acting and a clear moral to the story
Mark Banks (United Kingdom)
Opinion: Recommended
There are few films that successfully manage to offer firm rebukes to certain ways of living life, without getting too depressing in the process. 'The Godfather' is one example of a film (or trilogy of films) that does succeed - in its case rebuffing a lust for money and power. 'Jean de Florette' and 'Manon des Sources' are also films that show that dishonesty ultimately ends in misery. And so to this small collection of films can now be added 'The Remains of the Day', which ultimately reminds its viewers of the cost to be paid for repressing one's true thoughts, feelings and emotions. The acting throughout the film is first class, with Anthony Hopkins and Emma Thompson generating some great on-screen chemistry; their characters truly testing and challenging one another to the limits. If I have a criticism of the film it is that I would have found it helpful to know a little more of Mr Steven's (Hopkins’) background, and even perhaps his childhood, to suggest why he was so, in a word, 'repressed'. Perhaps it was the cold relationship he had with his father, or perhaps he was simply too institutionalised - either way, it is sure that he didn't have a faith to which he turn. Reflecting upon the end of the film I can't help but be thankful for my own life as a Christian, and am reminded of the response to the psalm: "Our life, like a bird, has escaped from the snare of the fowler" - thanks be to God!