The action takes place in ancient Rome from 64-68 AD, during the reign of the Emperor Nero. The subject is the conflict between Christianity and the corruption of the Roman Empire, especially in the last period of the Julio-Claudian line. The characters and events depicted are a mixture of actual historical figures and situations and fictionalised ones.
Directed by
Mervyn LeRoy; Anthony Mann (uncredited).
Written by
S.N. Behrman (screenplay); Sonya Levien (screenplay); John Lee Mahin (screenplay); Henryk Sienkiewicz (novel).
Starring
Robert Taylor (Marcus Vinicius); Deborah Kerr (Lygia); Leo Genn (Petronius); Peter Ustinov (Nero); Patricia Laffan (Poppaea); Finlay Currie (Peter); Abraham Sofaer (Paul); Marina Berti (Eunice); Buddy Baer (Ursus); Felix Aylmer (Plautius); Nora Swinburne (Pomponia); Ralph Truman (Tigellinus); Norman Wooland (Nerva); Peter Miles (Nazarius); Geoffrey Dunn (Terpnos). Please contact SFC to add other cast members and characters.
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Made over 50 years ago but still so relevant for our times
Mark Banks (United Kingdom)
Opinion: Recommended
I used to shy away from these old Hollywood Biblical epics - thinking they were just too long and boring. But I have to confess that the more I grow in my faith and the more trash that I see in the form of other films, the likes of Quo Vadis (add to that 'The Robe', 'Ben Hur' etc.) make for a decided breath of fresh air, and become films that actually have real potential to strengthen one's faith. Looking on Quo Vadis now, in the midst of the credit crisis, the corruption of Nero's ancient Rome becomes all too relevant to our present age. And the persecution of Christians - who had to resort to practising their faith in secret, has ominous warnings for us today as our secular culture becomes ever more dominant. So thank God for films like this I say! With respect to the more technical aspects of the film; the acting, directing, cinematography etc. none are particularly outstanding on their own given the standard of the time, but all are nonetheless still very good and they are drawn together in such a way that Quo Vadis does indeed merit its Best Picture Oscar nomination of 1951. One day we'll make films like this once again and ensure that the martyrs of those ancient days didn’t shed their blood for nothing.